Heavy Metal Scales For Soloing

Practicing scales and scale based exercises are a great way to build the speed you need to shred like a pro. You just need to learn some scales. What i ll do is go through some of the more specialized scales used in heavy metal scales that really complement the dark and aggressive power chord movements.

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Master these metal guitar scales so you can shred.

Heavy metal scales for soloing.

Learn the essential scales for playing heavy metal and thrash guitar as used by tony iommi kirk hammett dave mustaine kerry king jeff hanneman and others. Plus 3 super cool licks to show you how you can use each scale to create heavy metal style licks of your own. Learn the essential guitar scales for playing heavy metal and thrash guitar as used by tony iommi kirk hammett dave mustaine kerry king jeff hanneman and others. Countless metal riffs use the pentatonic scale and metal lead guitarists often use it in solos.

Heavy metal guitar scales scales for heavy metal and thrash soloing. Heavy metal guitar scales scales for heavy metal and thrash soloing. It is a relatively simple scale consisting of just five notes. Listen to my guitar solo from 3 22 to 3 40 to hear the scale in action.

It s a fun scale. It sounds great over power chords and minor chord progressions. It sounds good in so many situations. Plus 3 super cool licks to show you how you can use each scale to create heavy metal style licks of your own.

If your approach to a metal solo is to use the pentatonic blues scale after a while all your solos will start to sound alike. In this article i am going to guide you through some of the most used exotic scales used by metal players. Pentatonic is huge in metal for a reason. The pentatonic minor scale is widely used in many styles of music not just in metal.

I ve specifically named this lesson metal guitar scales but of course you can play any damn scale you want whether it be pentatonic major minor whatever. The solution to this problem is quite simple after all. Takelessons blog music guitar. Get it up to 160 bpm then 176 then all the way up to 200.

You can map out crazy three note per string runs all across the fretboard. I also like the pentatonic scale. An explosive opening or great climax for a solo.

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